The Canon EF 27-70mm f/2.8 L USM provided the appropriate crop of the image. I focused on the single leaf and a polarizing filter boosted color saturation. The aperture was set to f/5.6 providing a 1/30 of a second Exposure time at ISO100. During post processing I removed dust spots, minimally adjusted lighting, contrast, and color saturation before sharpening the final Reflection Photography image.
Feb 27, 2012
Impressionistic Fall Foilage Tree Reflection
The Canon EF 27-70mm f/2.8 L USM provided the appropriate crop of the image. I focused on the single leaf and a polarizing filter boosted color saturation. The aperture was set to f/5.6 providing a 1/30 of a second Exposure time at ISO100. During post processing I removed dust spots, minimally adjusted lighting, contrast, and color saturation before sharpening the final Reflection Photography image.
Feb 26, 2012
Das Foto of the Week
Starting today through the week of 27 February 2012 this Flower Photography image, available as art print, acrylic, or on canvas, is on sale.
Feb 25, 2012
Feb 22, 2012
Photographing Water published by Apogee Photo Magazine
Learn from my photo magazine article "Photographing Water ~ Silky Water Effects and Reflections" how to create beautiful silky water effects and brilliant photography reflections with your camera as I guide you through my photography work process ~ published by Apogee Photo Magazine.
Feb 20, 2012
Das Foto of the Week
Starting today through the week of 20 February 2012 this Flower Photography image, available as art print, acrylic, or on canvas, is on sale.
Feb 19, 2012
Moonrise over Acadia National Park
NBA Boston Celtics versus Chicaco Bulls
Feb 18, 2012
Flower Fine Art Photography Over Black
In these 2 photos of a purple iris I used a black cardboard as the backdrop. Dark backgrounds really make the colors of a flower pop and give the image a touch of elegance. Usually I choose a large enough black cardboard from Staples that I position behind the floral photographic object using the backrest of a chair for support. As a base I use the chair itself that I place in front of a window. The set up of my Macro Photography studio next to our dining room window provides exceptional and beautiful lighting conditions in the morning. White cardboards are used to enhance the light and direct the light towards the floral when it is facing away from the window. I always use a few hardcover books to stabilize and minimize any unwanted shaking or movement of the flower. Additionally the books make it easy to adjust the height of the flower when a different perspective or angle is more desirable. I often adjust the white boards to explore the impact on the lighting and better control the light on the flower. Adjusting the light with the white boards is a great learning experience for us photographers and often leads to more inspiring and beautiful fine art photography artwork. At longer exposure times a Tripod is a must. I captured this purple iris in landscape and portrait format and for me both images work. Landscape versus Portrait Format is one of the first decisions we make when taking a picture and here it worked in both captures. That is not always the case and then we have to decide on the best format to support the strongest composition.
The light provided a beautiful illumination of the iris that keeps the viewer captivated. In the horizontal photograph the aperture of the Canon EF 100mm f/2.8 Macro IS USM lens was set to f/25 providing maximum Depth of Field and an exposure time of 4 seconds. The aperture in the portrait style flower photo was f/22 leading to an exposure time of 3.2 seconds. In both cases an ISO100 setting minimized noise. In the post processing steps I removed dust, minimally adjusted brightness, contrast and color saturation before sharpening the final images of this Iris over Black.
Feb 13, 2012
Florida Blue Heron Bird Photography
In this particular photography image a larger aperture (small f-stop number such as 5.6 and less) minimized the depth of field as it is mostly suitable when photographing birds. In these types of photos we strive for a quiet backdrop that beautifully isolates the main subject from any distractions in the back and solely lays the focus on the main subject. The long telephoto lens not only made the wildlife accessible but also generated a nice bokeh in the river highlights. The aperture was set to f/4 providing sufficient Depth of Field and in combination with an ISO100 setting resulted in an Exposure time of 1/30 seconds. In the post processing steps I removed dust spots, minimally adjusted brightness, contrast, and color saturation before sharpening the final image of the Blue Heron.
Feb 12, 2012
Das Foto of the Week
Curious about how I created photo and my trip to Cape Cod.
Starting today through the week of 13 February 2012 this Flower Photography Image, available as art print, acrylic, or on canvas, is on sale.
Feb 11, 2012
Landscape versus Portrait Photography Format
Portrait format creates pictures that are often more interesting with a deeper spatial perspective. It is especially interesting in landscape photography where it often adds drama and provides a viewer with an unusual, different view.
At first glimpse, the above motif of a blue Cape Cod dinghy seemed to be a perfect image for landscape format. So, I first went along in one of my early attempts where I laid the focus solely on the boat by a conscious decision of a 200mm lens and a high horizon placement. Not a bad picture but was it the best landscape photography image I could get away with that day?
Luckily I did not think so and instead of packing up and moving on, I decided to follow my Photographic Instincts and explored different perspectives. I switched from the telephoto lens to a 28mmm wide-angle lens. The broader view with more spatial depth in the next image was accomplished by a low horizon placement. A small aperture (high f-stop setting) provided the required Depth of Field. The image itself I felt had a lot of distracting and unnecessary elements to the left and the right which is why I changed from landscape to portrait format in the final image.
The format twist eliminated and distracting aspects from the composition, while the low horizon further enhanced the feel of spatial depth of the open, wide marsh landscape. The last 2 images clearly demonstrate what a format change from landscape to portrait is capable of doing for our Landscape Photography; it shows how photo details are added or eliminated by the switch. Next time you are out in the field do not forget the portrait format and consider once in a while a compositional format adjustment to hopefully enhance a picture.